Individual life and the succession of life, limited but infinite
Fig. 1 (10-19/male/junior high school student/—) depicts a heart with the caption "A limited thing. Its preciousness is obvious." At the center of the figure there is the word ‘heart’, and around it, from left to right, there are five words, ‘kindness’, ‘limited’, ‘suffering’, ‘sadness’, and ‘preciousness’. Among all kinds of figures depicting inochi, the shape of a heart appeared most frequently.
Fig. 2 (30-39/male/public sector worker/no religion) depicts the sun, the ground (or grasslands), and a seedling. There are many replies that present the image of inochi as that of plants, especially small seedlings.
Fig. 3 (10-19/male/junior high school student/—) depicts a view of nature. Featured are the sun, the moon, stars, the Milky Way, mountains, a river, a hill, cultivated land, flowers, plants and a butterfly. It should be noted that there are no human beings in this scene. It seems that the respondent regards inochi as equivalent to nature.
Fig. 4 (20-29/femlae/nurse/—) depicts the earth from outer space, with a caption "I mean ‘the blue earth’ hovering in outer space". The respondent seems to regard the earth itself as being inochi. This reminds me of the Gaia hypothesis in which the earth itself is considered to be a single organism (40).
Fig. 5 (10-19/male/junior high school student/—) is a very impressive drawing. At the center there is a big tree, and a man (probably the respondent himself) who has committed suicide by hanging. His soul has just escaped from his body. Around this tree, creatures live independently of, and indifferently to the incident occurring [97/98] in the human world. A bird flies under the sun and clouds, ants do their daily work. There is also the larva of a cicada and a frog hibernating under the ground. Deep in the ground, there are human bones and earthenware from ancient ages. Here at least two thoughts are expressed. One is that human death is the most central matter for the image of inochi. And the other is that a human’s inochi is no more than one small incident in the various workings of nature. In this drawing we can see a delicate balance between anthropocentrism and pessimism about human inochi.
Fig. 6 (10-19/female/junior high school student/—) is a philosophical reply with a caption "I think a creature’s inochi lasts only a short period in a long history". Numerous lines which represent each individual creature’s inochi have been drawn in a river-like figure which contains all individual inochis. This represents the long history of inochi, or a stream of large inochi. We can obtain from this drawing several thoughts, such as the succession of inochi, the finiteness and irreplaceability of an individual inochi, and the infiniteness of a stream of inochi.
Fig. 7 (20-29/male/—/—) depicts several particles linked to each other with strings. This means that inochi is an individual particle, and that at the same time it makes up a web of inochis connected to each other. This drawing can also be interpreted as a large network of inochi with several particles at the points of intersections of inochi streams. This drawing has important implications when viewed from a philosophical angle. Through drawings we are able to grasp more direct and stronger visual images of inochi than through words alone. Generally speaking, the younger generation in Japan are very fond of expressing themselves through drawings and cartoons. Hence replies with drawings are important materials for investigating their images of inochi.
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The Concept of Inochi (life) (1991)
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